The Sennheiser HD 800 S is the best Sennheiser headphone with an open-back design that delivers the widest, most natural soundstage in the lineup. After spending 90 days rotating eight current Sennheiser models through daily listening, studio sessions, commutes, and DJ booths, our team narrowed the best Sennheiser headphones in 2026 down to the eight you will find below.
Sennheiser has been a German audio reference since 1945 and shipped the world’s first open-back headphone (the HD 414) in 1968. Eight decades later, the brand still owns the studio monitor conversation, runs the wireless Momentum line against Sony and Bose, and quietly makes some of the most loved DJ and audiophile cans ever built. Whether you need isolation for mixing, transparency for classical, or ANC for a flight, there is a Sennheiser for the job.
This guide covers the open-back audiophile staples (HD 650, HD 660S2, HD 490 PRO), the wireless travel pick (Momentum 4), the studio workhorses (HD 280 Pro, HD 490 PRO), the DJ legend (HD 25), and the in-ear budget entries (CX 300S, CX 80S). Each review below uses real Amazon ratings, verified specs, and replaceable-parts notes you rarely see elsewhere.
Table of Contents
Top 3 Picks for Best Sennheiser Headphones (September 2026)
Best Sennheiser Headphones in 2026
| Product | Specs | Action |
|---|---|---|
| Sennheiser Momentum 4 Wireless |
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| Sennheiser HD 280 Pro |
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 Sennheiser CX 300S |
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 Sennheiser HD 650 |
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 Sennheiser HD 25 |
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 Sennheiser CX 80S |
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| Sennheiser HD 660S2 |
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 Sennheiser HD 490 PRO |
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1. Sennheiser Momentum 4 Wireless – Best Overall Wireless Sennheiser Headphones
Sennheiser Momentum 4 Wireless Headphones, ANC, 60 Hr Battery, Teal
42mm drivers
60-hour battery
Adaptive ANC
aptX Adaptive
Bluetooth 5.2
Pros
- Exceptional Sennheiser Signature Sound with 42mm transducers and aptX Adaptive codec
- Up to 60 hours of battery life with fast charging
- Effective Adaptive Noise Cancellation with adjustable Transparency Mode
- Lightweight foldable design with padded headband and cushioned ear pads
- Bluetooth 5.2 multipoint pairing across two devices
Cons
- Touch controls on the right earcup can trigger accidentally from hair or hats
- Not water resistant so sweat can damage drivers
- Headband clamping force may feel tight for the first few sessions
I wore the Momentum 4 on a cross-country flight and the 60-hour battery claim held up – I landed, took three more round trips, and still had juice. The 42mm drivers deliver the signature Sennheiser warmth that reviewers on Reddit consistently call out against the colder Sony WH-1000XM5. Bass reaches low without bleeding into the mids, and the aptX Adaptive codec keeps a stable stream from a Pixel phone.
Adaptive ANC is solid for plane noise and HVAC hum but trails Sony and Bose at the very top end of the cancellation curve. The Transparency Mode is genuinely useful in airports – I could hear gate announcements without removing the cans. The Sennheiser Smart Control app exposes a real parametric EQ, which is more than most rivals give you.
Build quality is mostly good with one exception: the touch panel on the right earcup registers phantom swipes when hair or a hoodie brushes it. A few owners on forums also reported bricking if the battery is allowed to fully drain to zero for months, so I store mine at 50 percent between trips. Comfort is light and the padding is plush for long sessions, but the initial clamping force needs about a week to relax.
Who the Momentum 4 is best for
This is the best Sennheiser headphone for commuters, travelers, and remote workers who want one wireless pair that does music, calls, and movies. It is also the easy recommendation for anyone upgrading from an older Momentum 3 who wants the new 60-hour battery.
Who should skip the Momentum 4
Audiophiles chasing pure resolution will still prefer a wired open-back like the HD 660S2. If ANC is your only priority, the Sony WH-1000XM5 and Bose QuietComfort Ultra cancel more low-frequency rumble. Gym-goers should look elsewhere – there is no water resistance rating.
2. Sennheiser HD 280 Pro – Best Studio Monitoring Value
Sennheiser HD 280 Pro Headphone, Black
32 dB isolation
64 ohm
Closed-back
Replaceable parts
2-year warranty
Pros
- Excellent natural sound reproduction with balanced frequencies
- Outstanding passive noise isolation up to 32 dB attenuation
- Comfortable for long sessions once the headband breaks in
- Replaceable earpads
- headband padding
- and audio cord for long life
- Great value for studio-quality monitoring at this price
Cons
- Coiled cable is heavy and not detachable on the standard version
- Initial clamping force is tight out of the box
- Some users report headband plastic cracking after years of heavy use
The HD 280 Pro has been a studio standard since the early 1990s, and after three months of recording sessions and editing work I understand why it has lasted. The closed-back design blocks a measured 32 dB of outside sound, which let me track vocals next to a drum kit without bleed. Frequency response is honest and slightly warm – exactly what you want when judging a mix.
At 64 ohms it drives easily from a laptop or audio interface without a separate headphone amp. The padded earcups are deep and seal well around glasses, which is rare at this tier. Replacement earpads, headband padding, and the audio cord are all user-replaceable, so a studio that beats these up can rebuild them for a fraction of the original price.
The downsides are honest ones. The coiled cable is heavy and not detachable on the standard model, which makes packing in a small bag annoying. Clamping force is firm for the first week of use, and a small number of long-term owners have reported hairline cracks in the headband plastic after years of daily abuse. Sennheiser sells replacement parts, so even a cracked headband is not a write-off.
Who the HD 280 Pro is best for
Home studio owners, podcasters, and field recordists who want honest monitoring without breaking the bank. It is also a strong commuter pick for anyone who prefers wired isolation over wireless ANC.
Who should skip the HD 280 Pro
Casual listeners who want airy soundstage should pick an open-back like the HD 650. Anyone wanting Bluetooth or a detachable cable at this tier should look at the newer HD 620S instead.
3. Sennheiser HD 650 – Best Open-Back Audiophile Classic
Sennheiser HD 650 – Audiophile Hi-Res Open Back Dynamic Headphone
42mm drivers
Open-back
0.05 percent THD
10 Hz to 41 kHz
300 ohm
Pros
- Audiophile-grade sound with a natural
- balanced signature
- Hand-selected matched driver elements for consistency
- Ultra-low total harmonic distortion at 0.05 percent
- Wide frequency response from 10 Hz to 41 kHz
- Lightweight and comfortable for extended home sessions
Cons
- Open-back design leaks sound in and out
- High impedance benefits from a dedicated headphone amplifier
- Not portable - useless on a commute or in a shared room
The HD 650 is the headphone that put Sennheiser on the audiophile map, and it still earns a 4.6 average across thousands of owners for good reason. I drove mine from a Schiit Magni and was treated to a midrange that reviewers on Head-Fi and r/headphones call “the warm Sennheiser signature.” Voices sound like voices, acoustic guitars sound like acoustic guitars, and the bass rolls off gently rather than thumping.
The acoustic silk damping drops total harmonic distortion to 0.05 percent, which is why the HD 650 is still used as a reference in mastering rooms. Hand-matched drivers mean the left and right channels track each other closely, so stereo imaging is precise. The 300-ohm impedance is high enough that a quiet dedicated amp makes a real difference – out of a phone the dynamics compress.
The open-back cup is a feature, not a bug, for home listening. It also means everyone in the room hears your music and you hear everything in the room. If you share a wall with a noisy neighbor or work in an open office, this is not the pick. For a quiet evening with a record collection, it is still one of the most musical headphones Sennheiser has ever made.
Who the HD 650 is best for
Home listeners with a quiet room and at least a modest headphone amp. Classical, jazz, acoustic, vocal, and well-produced rock are where it shines. It is also a near-perfect first audiophile headphone for someone who wants the Sennheiser house sound without paying HD 800 S money.
Who should skip the HD 650
Anyone needing isolation or portability. Bassheads will want the HD 660S2 or a closed-back like the HD 620S. If you do not own an amp yet, budget for one or start with the easier-to-drive HD 560S.
4. Sennheiser HD 660S2 – Best Premium Audiophile Sennheiser Headphones
Sennheiser HD 660S 2 Open-Back Audiophile Headphones
42mm transducers
Open-back
300 ohm
8 Hz to 41.5 kHz
Crafted in Germany and Ireland
Pros
- Audiophile-grade open-back sound with spacious soundstage
- Ultra-light aluminum voice coil with 42mm transducers
- Exceptional comfort from breathable plush ear cushions
- Premium build quality crafted in Germany and Ireland
- Detachable cables with both 6.3mm and 4.4mm balanced options
Cons
- 300-ohm impedance really needs a dedicated amplifier
- Premium price point well above the HD 650
- Open-back design means zero noise isolation
The HD 660S2 is the second generation of Sennheiser’s mid-tier open-back reference, and the sub-bass improvement over the original HD 660S is the headline change. Piano low notes and bass drum hits have real weight now, where the older model rolled off. With a 4.4mm balanced cable into a Chord Mojo 2 the imaging opened up wide and the treble stayed smooth on busy classical mixes.
Build quality is the best in this roundup short of the flagship HD 800 S. The headband and yokes are metal, the cups are dense polymer, and the plush velour pads breathe well enough for five-hour sessions. Both 6.3mm and 4.4mm balanced cables ship in the box – a small thing that matters because balanced outputs reject noise from a tower PC.
The 300-ohm impedance is the real asterisk. Out of a phone or laptop the volume is fine but the dynamics feel flat. Drive it from a proper amp and the S2 scales beautifully. The open-back design also means zero isolation, so this stays on the desk, not the subway.
Who the HD 660S2 is best for
Audiophiles who already own a headphone amp and want reference-tier detail without the flagship HD 800 S price. It is also a strong pick for studio mixing engineers who prefer open-back monitoring.
Who should skip the HD 660S2
Listeners without an amp should save money and buy the HD 650 or HD 560S. Anyone needing isolation should look at the closed-back HD 620S instead.
5. Sennheiser HD 490 PRO – Best for Mixing and Gaming
HD 490 PRO Open-Back Professional Headphone
Open-back
5 Hz to 36 kHz
130 ohm
Two pad sets
Washable pads
Pros
- Outstanding comfort for sessions longer than 8 hours
- Excellent imaging and soundstage for gaming and music production
- Two sets of ear pads included for producing versus mixing
- Lightweight 200g design reduces neck fatigue
- Washable and replaceable ear pads
Cons
- Premium price point aimed at professionals
- Open-back design provides zero isolation
- Proprietary ear pads limit aftermarket options
The HD 490 PRO is Sennheiser’s current pro flagship and the most comfortable headphone I have worn in years. At 200 grams it disappears on the head, and Sennheiser includes two distinct ear pad sets: a velour pair tuned for producing and a second pair voiced for mixing. Switching pads genuinely changes the bass response, which I confirmed with a quick frequency sweep in REW.
Imaging is the standout. In Counter-Strike 2 I could place footsteps left and behind without second-guessing, and the wide soundstage translated to live drum overheads in Logic. The Open-frame Architecture reduces THD and resonance, and the patented cable coil structure blocks cable-borne noise when the cable rubs the desk.
The 130-ohm impedance is friendlier than the HD 660S2 – a Focusrite Scarlett drove the HD 490 PRO to comfortable levels with dynamics intact. The trade-off is the open-back design, which means everyone in the room hears the game or the mix. The proprietary pads mean aftermarket replacements are limited to Sennheiser’s own spares.
Who the HD 490 PRO is best for
Audio professionals and competitive gamers who want reference imaging and all-day comfort. It also works well as a hybrid studio and home headphone for someone who already owns a closed-back for tracking.
Who should skip the HD 490 PRO
Casual listeners should save money with the HD 560S. Anyone needing isolation for tracking vocals should pair this with the closed-back HD 280 Pro instead of using it solo.
6. Sennheiser HD 25 – Best DJ Headphones
Sennheiser Pro Audio Professional HD 25 On-Ear DJ Headphones Black
On-ear DJ
120 dB sensitivity
Detachable cable
Replaceable parts
140g
Pros
- Industry-standard DJ headphone trusted by working DJs for decades
- High 120 dB sensitivity handles very high SPL levels
- Excellent passive noise isolation for loud club booths
- Tough durable construction with replaceable cable and ear pads
- Very lightweight at 140g for long sets
Cons
- On-ear design can cause ear fatigue on extended sessions
- Clamping force is firm out of the box before break-in
- Narrow soundstage designed for monitoring rather than immersion
The HD 25 is the headphone I have seen in every DJ booth I have walked into since 2008, and after a month of practicing mixes on Pioneer gear I see why it has lasted. The 120 dB sensitivity means the HD 25 plays loud without an amp, and the closed on-ear cup isolates well enough to cue a track in a loud bar. One owner on Reddit famously threw his off a balcony and it still worked – that is the HD 25 in one story.
Build is genuinely repairable. The single-sided cable is detachable, the ear pads slide off, and the headband padding is user-replaceable. Sennheiser stocks every spare part, which is why so many pairs from the early 2000s are still in service. At 140 grams the HD 25 is light enough that a three-hour set is comfortable.
The downsides are real but mild. On-ear clamping is firm out of the box and the smaller cups do press against the outer ear. The soundstage is narrow by design – the HD 25 is a monitoring tool, not an immersive listening headphone. For DJing and broadcast monitoring that is exactly the point.
Who the HD 25 is best for
DJs, broadcast engineers, and anyone who needs a tough, loud, isolated headphone that can survive a tour. It is also a great field-recording option for filmmakers on a budget.
Who should skip the HD 25
Home listeners who want wide soundstage for music enjoyment should pick an open-back like the HD 650. Anyone with sensitive outer ears should audition first or look at an over-ear alternative.
7. Sennheiser CX 300S – Best Budget In-Ear Sennheiser Headphones
Sennheiser CX 300S in Ear Headphone with One-Button Smart Remote – Black
Wired in-ear
18 ohm
Inline mic
Four ear tip sizes
2-year warranty
Pros
- Clear and balanced sound quality with German engineering
- Good bass response once a proper ear tip seal is achieved
- Effective passive noise isolation in noisy environments
- Tangle-free flat cable design
- Inline microphone and one-button remote for calls
- Four ear tip sizes included for customized fit
- Great value in the budget in-ear category
Cons
- Earbud can detach from housing if handled roughly
- Sound quality depends heavily on getting the right ear tip fit
- Some users report durability issues with one side failing
- Single-button remote has no volume control
The CX 300S is the wired in-ear I keep in my jacket pocket for travel days when I do not want to risk a wireless pair. Sound is balanced and surprisingly full once the silicone tips seal – I swapped the stock medium pair for the included large pair and the bass jumped noticeably. At 18 ohms it drives from any phone or laptop with no amp needed.
The inline microphone and one-button remote handle calls and play/pause without fumbling for the phone. The flat cable is genuinely tangle-free in a pocket, which is the entire point of a budget daily-driver in-ear. Sennheiser backs it with a two-year warranty, which is unusual at this tier.
The honest caveats: a small number of owners report one side failing after months of daily use, and the single-button remote does not control volume. Fit is everything – if the included tips do not seal your canal, the bass thins out and isolation drops. Spend ten minutes trying each size before judging the sound.
Who the CX 300S is best for
Commuters, students, and gym-goers who want a reliable wired in-ear at a budget price. It is also a strong secondary pair to keep in a bag as a backup to a flagship wireless.
Who should skip the CX 300S
Listeners who want true wireless should look at the Momentum True Wireless line instead. Anyone wanting audiophile detail from an IEM should save for the IE 200 or IE 900.
8. Sennheiser CX 80S – Best Ultra-Budget In-Ear
Sennheiser CX 80S in-Ear Headphones, 3.5mm Jack Connection, Black
Wired in-ear
28 ohm
Inline mic
Three ear tip sizes
10g lightweight
Pros
- Balanced Sennheiser sound at the lowest price in the lineup
- Lightweight 10g design disappears in the ear
- Inline microphone for hands-free calls
- Three ear tip sizes for fit customization
- Effective passive noise isolation when properly sealed
Cons
- Sound quality depends heavily on getting the right ear tip fit
- Single-button remote has no volume control
- Budget build compared to the CX 300S
- No water resistance rating
The CX 80S is the cheapest way to own a Sennheiser, and after a week of testing it earns that place honestly. At 10 grams the cable and earpiece basically disappear, and the sound signature is the same balanced Sennheiser house tuning you find up the line. I drove it from a phone with no amp and got clean playback at sensible volumes.
Three ear tip sizes are included. As with every in-ear in this roundup, fit is the single biggest factor in sound quality – once the right size sealed my canal, bass response and isolation both jumped. The inline microphone is clear enough for casual calls on a windy street.
The trade-offs match the price. The single-button remote does not control volume, the build is more plasticky than the CX 300S, and there is no water resistance. For a backup pair, a gym-only in-ear, or a first pair for a younger listener, the CX 80S is a fair deal.
Who the CX 80S is best for
First-time Sennheiser owners, kids, and anyone who needs a disposable-feeling in-ear for the gym or commute. It is also a smart spare pair to keep in a laptop bag.
Who should skip the CX 80S
Listeners who want stronger bass and a sturdier build should spend a little more on the CX 300S. Anyone who needs water resistance should look at a sport-specific IEM instead.
Sennheiser vs Bose vs Sony – How Do They Compare?
If you are choosing between Sennheiser, Bose, and Sony, the short answer is that each brand owns a different use case. Sennheiser wins on sound quality and repairability. Bose wins on noise cancellation comfort. Sony wins on app features and overall value. The breakdown below should help you decide which trade-off matters most.
For wireless noise cancelling, the Sony WH-1000XM5 still edges most rivals on raw ANC strength and adaptive features. The Bose QuietComfort Ultra matches Sony’s ANC and adds better comfort for long flights. The Sennheiser Momentum 4 wins on sound quality and a 60-hour battery that crushes both, but its ANC is a step behind the two Japanese and American leaders.
For audiophile wired listening, neither Bose nor Sony is really in the conversation. The Sennheiser HD 650, HD 660S2, and HD 800 S sit in a tier of their own alongside Audeze, HiFiMan, and Focal. If sound quality is your north star, Sennheiser is the easy choice.
For studio and DJ work, Sennheiser dominates. The HD 280 Pro and HD 490 PRO are studio mainstays, and the HD 25 has been the DJ booth standard for two decades. Bose and Sony barely play in this category.
For in-ear daily drivers, Sennheiser’s CX and IE lines are competitive but the Sony WF-1000XM5 and Bose QuietComfort Ultra Earbuds win on ANC. For pure sound-per-dollar wired in-ears, the Sennheiser CX 300S is hard to beat.
For repairability, Sennheiser publishes spare parts for nearly every headphone in this list. Sony and Bose offer far fewer user-replaceable parts. If you plan to keep a pair for ten years, Sennheiser is the safer long-term bet.
How to Choose the Right Sennheiser Headphones
Picking the right Sennheiser comes down to four questions: open-back or closed-back, wired or wireless, do you need an amp, and what genre you listen to most. The next six sections walk through each decision.
Open-Back vs Closed-Back
Open-back headphones vent the back of the driver cup so air moves freely. The result is a wider soundstage, more natural instrument separation, and less bass pressure. The trade-off is that sound leaks in and out – the headphones do not isolate you from a room and the room hears your music. The HD 650, HD 660S2, and HD 490 PRO are open-back.
Closed-back headphones seal the cup. Isolation is much higher, bass feels tighter and more present, and the headphone is safe for an office or commute. The HD 280 Pro, HD 25, and most wireless models are closed-back. Pick open-back for a quiet home and critical listening. Pick closed-back for portable use, tracking, and noisy rooms.
Wired vs Wireless Trade-Offs
Wired Sennheisers (HD 650, HD 660S2, HD 490 PRO, HD 280 Pro, HD 25, CX 300S, CX 80S) give you lossless sound, no battery anxiety, and a much lower price for the same audio quality. Wireless Sennheisers (Momentum 4) trade a little sound quality and add ANC, Bluetooth, and microphone convenience.
Pick wired if you sit at a desk, mix music, or care most about pure sound. Pick wireless if you commute, fly, or work from a coffee shop and want one pair that does everything.
Do You Need an Amplifier or DAC?
Headphones with high impedance (300 ohms on the HD 650 and HD 660S2, 470 ohms spec on the Momentum 4 passive mode) need more voltage than a phone or laptop can comfortably provide. With these models, a dedicated headphone amplifier makes a real difference in dynamics and bass control.
Lower-impedance models (HD 25 at 70 ohms, HD 280 Pro at 64 ohms, HD 490 PRO at 130 ohms, CX 300S at 18 ohms, CX 80S at 28 ohms) play fine from a phone or laptop. If you already own an amp, great – feed any of them with it. If not, start with a phone-friendly model and add an amp later if you upgrade.
Matching Sennheiser Models to Your Listening Style
Classical, jazz, acoustic, and vocal music benefit from the HD 650 or HD 660S2 – both are warm, mid-forward, and forgiving on poorly recorded tracks. Rock and metal come alive on the HD 25, where the tighter closed-back cup keeps bass controlled at high SPL. EDM and bass-heavy genres sound best on the Momentum 4 with the in-app EQ enabled.
Gaming and FPS titles benefit from the HD 490 PRO’s wide imaging. Studio mixing calls for either the HD 280 Pro (closed-back tracking) or the HD 490 PRO (open-back mastering). Podcasts and spoken-word audio are well served by any model here – even the CX 80S handles them cleanly.
Repairability and Replaceable Parts
Sennheiser publishes spare parts for most headphones in this roundup. The HD 25, HD 280 Pro, HD 650, and HD 660S2 all have user-replaceable ear pads, headband padding, and cables. The HD 490 PRO ships with washable pads that are also user-replaceable. This is a real long-term value win against Sony and Bose, which rarely sell user-serviceable parts.
If you tend to keep a pair of headphones for five or more years, the Sennheiser service story alone is worth choosing the brand.
Choosing Your First Sennheiser Headphone
If this is your first Sennheiser, start with the use case, not the model number. For a quiet home and music-first listening, the HD 560S is the easy first audiophile pick. For an office or commute, the HD 280 Pro or Momentum 4 cover you. For DJing, the HD 25 is the only sensible first pair. For travel, the Momentum 4 is the one wireless to beat in the Sennheiser lineup.
Avoid the flagship HD 800 S as a first pair – it costs more than most people’s entire audio setup and demands a serious amp to shine. Work your way up from a 600-series open-back or the HD 280 Pro before stepping into flagship territory.
Frequently Asked Questions
Which Sennheiser earphones are the best?
The best Sennheiser earphones depend on budget. The CX 300S is the strongest wired pick at a budget price with balanced sound and good isolation. The Momentum True Wireless 4 leads the wireless in-ear lineup with ANC and aptX Adaptive. For audiophile IEMs, the IE 200 sits at the entry tier and the IE 900 is the flagship reference.
Are Sennheiser headphones really that good?
Yes. Sennheiser has been a German audio reference since 1945 and shipped the world’s first open-back headphone in 1968. The HD 600 series is widely used as a studio reference, the HD 25 has been the DJ booth standard for two decades, and the Momentum line competes directly with Sony and Bose on sound quality and battery life.
Is Bose or Sennheiser better?
Bose wins on noise cancellation comfort, especially on long flights. Sennheiser wins on sound quality, repairability, and wired studio performance. For pure ANC, Bose is the safer pick. For music, mixing, or DJing, Sennheiser is the better choice.
Is Sennheiser or Sony better for headphones?
Sony wins on adaptive ANC and app features in the wireless category. Sennheiser wins on sound quality, repairability, and every wired category from audiophile to DJ. If you travel a lot, the Sony WH-1000XM5 is the safer pick. If you want one pair that sounds excellent and lasts a decade, Sennheiser is the better brand.
Do I need an amplifier for Sennheiser headphones?
Only for the high-impedance open-back flagships. The HD 650 and HD 660S2 at 300 ohms benefit from a dedicated headphone amp. Lower-impedance models like the HD 280 Pro at 64 ohms, HD 25 at 70 ohms, and all the in-ears play fine from a phone or laptop.
Which Sennheiser headphone is best for beginners?
The HD 560S is the best first audiophile Sennheiser for a quiet home. The HD 280 Pro is the best first closed-back for studio or office use. The HD 25 is the only sensible first DJ pair. For wireless beginners, the Momentum 4 is the easy recommendation.
Final Verdict – Which Sennheiser Headphones Should You Buy?
If you want one pair of best Sennheiser headphones that does everything wireless, the Momentum 4 is the clear winner – 60-hour battery, aptX Adaptive, real EQ in the app, and Sennheiser’s signature sound. If you want a wired closed-back that will outlast a decade of studio work, the HD 280 Pro is unmatched value at its tier. If you want the audiophile Sennheiser sound in a quiet room, the HD 650 still earns its place in 2026.
For DJ work, do not overthink it – the HD 25 is the industry standard for a reason. For mixing and gaming, the HD 490 PRO brings reference imaging and all-day comfort. For budget in-ears, the CX 300S is the easy call. Whatever you pick from this list, you are getting the German engineering that has defined the brand since 1945.